Bridgeton season 2 premiered in the midst of the pandemic, sending the entire world into a frenzy over a surprisingly intelligent romantic historical drama. Bridgerton not only caught the essence of Regency era romance with its pastel motifs and gorgeous gowns, but it also defied expectations by using an unconventional casting method. If you are waiting for this TV series, then this article on Bridgeton season 2 review will help you know about the next season.
It included Regé-Jean Page as the Duke of Hastings, a black man, as one of the key characters, as well as Queen Charlotte and Marina Thompson as significant foils to Bridgerton’s otherwise all-white cast. People believed that, despite the profusion of clichés and topics appropriate for a historical drama, Bridgerton was willing to examine race as one of its numerous themes.
Bridgerton will focus its storytelling claws on an Indian family, the Sharmas, in Bridgerton season 2. Kate Sheffield from The Viscount Who Loved Me, the book on which the forthcoming Bridgerton season 2 is based, was transformed into Kate Sharma for the adaptation.
Simone Ashley plays Kate, a twenty-something young debutante in the society where Jonathan Bailey’s Viscount is hunting for a wife. This is revolutionary in in of itself, given how historical dramas present one-toned characters and romanticize the Victorian era’s anxieties without using the imagination required to go outside the box. Given the lack of South Asian representation on this side of historical adaptations, the inclusion of the Sharma family is a gain for Bridgerton.
Bridgerton’s historical track record with representation politics, on the other hand, has rarely been as sophisticated as they are given credit for. The previous season — Bridgerton season 1 — attempted to depict a colorblind utopia, but failed to do it on television. Their groundbreaking character introductions remained just that: a basic introduction devoid of any depth or emotion for the characters.
Despite the fact that the Sharma family will be replacing Marina Thompson and the Duke, it is unclear whether these new characters will be handled with more dignity than the Duke and Marina.
After all, it’s not enough to introduce a few history-defying people if their hardships aren’t accorded the attention they deserve. It is critical to recognize that representation will never be successful unless it adheres to its numerous storytelling obligations.
So, would Kate be an all-encompassing figure with her own rich culture and traditions, or would her heritage be disregarded with a few identifying remarks and bad Bollywood song covers? For this we have to wait.
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